Collaborative perception can substantially boost each agent's perception ability by facilitating communication among multiple agents. However, temporal asynchrony among agents is inevitable in the real world due to communication delays, interruptions, and clock misalignments.

Learning object-centric representations from complex natural environments enables both humans and machines with reasoning abilities from low-level perceptual features. To capture compositional entities of the scene, we proposed cyclic walks between perceptual features extracted from vision transformers and object entities. First, a slot-attention module interfaces with these perceptual features and produces a finite set of slot representations. These slots can bind to any object entities in the scene via inter-slot competitions for attention. Next, we establish entity-feature correspondence with cyclic walks along high transition probability based on the pairwise similarity between perceptual features (aka parts) and slot-binded object representations (aka whole). The whole is greater than its parts and the parts constitute the whole. The part-whole interactions form cycle consistencies, as supervisory signals, to train the slot-attention module. Our rigorous experiments on \textit{seven} image datasets in \textit{three} \textit{unsupervised} tasks demonstrate that the networks trained with our cyclic walks can disentangle foregrounds and backgrounds, discover objects, and segment semantic objects in complex scenes. In contrast to object-centric models attached with a decoder for the pixel-level or feature-level reconstructions, our cyclic walks provide strong learning signals, avoiding computation overheads and enhancing memory efficiency.

Conceptual spaces represent entities and concepts using cognitively meaningful dimensions, typically referring to perceptual features. Such representations are widely used in cognitive science and have the potential to serve as a cornerstone for explainable AI. Unfortunately, they have proven notoriously difficult to learn, although recent LLMs appear to capture the required perceptual features to a remarkable extent. Nonetheless, practical methods for extracting the corresponding conceptual spaces are currently still lacking. While various methods exist for extracting embeddings from LLMs, extracting conceptual spaces also requires us to encode the underlying features. In this paper, we propose a strategy in which features (e.g. sweetness) are encoded by embedding the description of a corresponding prototype (e.g. a very sweet food). To improve this strategy, we fine-tune the LLM to align the prototype embeddings with the corresponding conceptual space dimensions. Our empirical analysis finds this approach to be highly effective.

Recommendation systems have become essential in modern music streaming platforms, shaping how users discover and engage with songs. One common approach in recommendation systems is collaborative filtering, which suggests content based on the preferences of users with similar listening patterns to the target user. However, this method is less effective on media where interactions are sparse. Music is one such medium, since the average user of a music streaming service will never listen to the vast majority of tracks. Due to this sparsity, there are several challenges that have to be addressed with other methods. This review examines the current state of research in addressing these challenges, with an emphasis on the role of content filtering in mitigating biases inherent in collaborative filtering approaches. We explore various methods of song classification for content filtering, including lyrical analysis using Large Language Models (LLMs) and audio signal processing techniques. Additionally, we discuss the potential conflicts between these different analysis methods and propose avenues for resolving such discrepancies.

Music auto-tagging is essential for organizing and discovering music in extensive digital libraries. While foundation models achieve exceptional performance in this domain, their outputs often lack interpretability, limiting trust and usability for researchers and end-users alike. In this work, we present an interpretable framework for music auto-tagging that leverages groups of musically meaningful multimodal features, derived from signal processing, deep learning, ontology engineering, and natural language processing. To enhance interpretability, we cluster features semantically and employ an expectation maximization algorithm, assigning distinct weights to each group based on its contribution to the tagging process. Our method achieves competitive tagging performance while offering a deeper understanding of the decision-making process, paving the way for more transparent and user-centric music tagging systems.

Collaborative perception can substantially boost each agent's perception ability by facilitating communication among multiple agents. However, temporal asynchrony among agents is inevitable in the real world due to communication delays, interruptions, and clock misalignments. To address this issue, we propose CoBEVFlow, an asynchrony-robust collaborative perception system based on bird's eye view (BEV) flow. The key intuition of CoBEVFlow is to compensate motions to align asynchronous collaboration messages sent by multiple agents. To model the motion in a scene, we propose BEV flow, which is a collection of the motion vector corresponding to each spatial location.

Learning object-centric representations from complex natural environments enables both humans and machines with reasoning abilities from low-level perceptual features. To capture compositional entities of the scene, we proposed cyclic walks between perceptual features extracted from vision transformers and object entities. First, a slot-attention module interfaces with these perceptual features and produces a finite set of slot representations. These slots can bind to any object entities in the scene via inter-slot competitions for attention. Next, we establish entity-feature correspondence with cyclic walks along high transition probability based on the pairwise similarity between perceptual features (aka "parts") and slot-binded object representations (aka "whole").